just some thoughts that somewhat do the trick. this gets about as close to the truth as i care to …
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guitar loops processed and recorded with SuperCollider; layered and effed-with with Digital Performer.
for an alternate perfect thursday [11:16] | download
silence, etc.
the time when forgiven didn’t make it [4:47] | download
this just needs to be said, i guess. (there’s a moment at which we take a break)
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two somewhat similar melodies looped and processed together (pun intended), live with my now infamous SC3 toy. maybe the question is simply: where does one end and the other begin…
an awkward question? [6:50] | download
inspired by a film
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built on a single synth note processed and manipulated live using SC3.
i think i jumped on a table at some point during the recording, and i might have blamed it all on my grade school teachers while i was at it.
ignorant noise kids might be better off just keeping their mouths shut sometimes [7:17] | download
once upon a time, i held onto the past like a stake thru my heart.
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there’s a brief gtr and a few layers of synth. but mostly its abt repetition and pleasure. thoughts?
out last National [6:28] | download
i built up a nice little device in SC 3 for playing/recording/FX/looping live audio input in the past couple days.
did some house re-organizing during the day and made this during the night
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this snippet is a result of toying around with its capabilities. there’s a couple looped guitar bits running through reverbs, bit reduction and FFT filters; as well as a live melody on top thats is running through reverb and fft
uraynj [9:37] | download
i finally dove into Super Collider 3 a few weeks ago and have quickly built a pretty substantial instrument for live performance; yeah i’m kinda excited, to say the least… this is just a tidbit of something i was toying with using the thing-a-majig i’ve created.
i was also playing some acoustic gtr on top, but i haven’t built anything to record microphone audio into SC3, so you only get the digital bits, sorry… (i promise i’ll do that this week!)
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the main tone is an over-processed electric guitar; using my SC3 software I filtered, looped and shot to hell the original to make it more mellow-ish.
the pure-tone that jumps in occasionally is just a digital tone i created a while ago and decided to loop and process with my SC3 thingy.
its all pretty simple, now that i can save sounds and rhythms for future reference … and thats so much more fun than before
a quick thought [2:27] | download
there’s another title to this, but i think i’ll keep that a secret for now.
also, i think this may be the track wherein i officially decide to drop the ‘MaybeRain’ moniker and just use my real name, finally. i suspect this is for a number of, possibly not so obvious, reasons.
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this track is a very simple set of guitar melodies given not too much treatment, just a lot of overlapping loops. i thought i’d go for using more actual silence this time. rather than my usual technique of hinting at silence while technically overloading the sound field.
ps. the length of this piece is purely coincidental, though slightly interesting nonetheless
last[ing] words (unspoken) [4:33] | download